In the heart of George Town’s heritage district, Bishop Street whispers stories of elegance, history, and reinvention.
Once home to the prestigious B.P. de Silva jewellers, this iconic row carried a reputation for luxury, refinement, and timeless craftsmanship — with a clientele that included royalty and dignitaries along with high society from across the region.
Today, in a delightful twist of heritage, that very space once filled with velvet-lined showcases now draws admirers of a different kind — food lovers.
Entrance to the former B.P De Silva which is today home to Aunty Gaik Lean’s Old School EateryAward-winning one star Michelin restaurant
Stepping into the four-times awarded one-star Michelin Aunty Gaik Lean’s Old School Eatery, feels like walking into a lovingly preserved memory — with warm Peranakan hospitality, family recipes, and an unmistakable sense of home.
A Taste of Nostalgia, Reimagined
What sets Aunty Gaik Lean’s apart is not just its rich, authentic Nyonya flavours, but its Muslim-friendly menu that has not compromised on quality or taste. It’s a rare and respectful adaptation of traditional cuisine, made accessible to more diners without losing the heart of its heritage.
The nasi ulam is aromatic and vibrant, and the sambal belacan — bold as ever. Even vegetarian diners, including many from the Indian subcontinent, have found the dishes flavourful and deeply satisfying — a testament to the careful balance and generosity in the kitchen.
Where History Meets Heart
To dine here is to savour more than food. You sit where once patrons browsed fine gems under chandeliers, in a building that quietly cradles Penang’s evolving story — from colonial-era commerce to culinary celebration.
The echoes of B.P. de Silva’s prestige lend a quiet dignity to the eatery, while the cheerful clatter of cutlery and scent of shallots signal a more grounded kind of luxury: a meal made with love.
Whether you’re drawn by memories of kampung cooking or curiosity for the space’s storied past, Aunty Gaik Lean’s offers more than just lunch or dinner — it offers a taste of heritage, harmony, and hospitality.
So, pull up a chair. The past has never felt so warm.
Auntie Gaik Lean’s Old School Eatery is located at 1, Lebuh Bishop, 10200 George Town, Penang, Malaysia.
Every day is a celebration with these avatar-like vibes
In a diverse and multicultural nation like Malaysia, respect and sensitivity towards different cultures and religions should be at the core of every company’s values and practices.
Recent observations highlight a concerning trend: before and during the celebrations of Deepavali, (the Festival of Lights cherished by Hindus, Sikhs, Jains and some Buddhists globally), and many establishments have swiftly transitioned to Christmas decorations, often without regard for the cultural significance of either occasion.
This apparent lack of sensitivity raises important questions about corporate awareness and respect for Malaysia’s rich tapestry of traditions.
It’s not merely about seasonal decorations; it’s about acknowledging and honoring the cultural and religious identities that make our society unique. When companies jump the gun or fail to recognize the significance of festivals like Deepavali, it can come across as dismissive or tone-deaf, fostering feelings of exclusion or disrespect among communities.
This isn’t an isolated incident. Such oversights have happened before and, regrettably, are likely to occur again if there isn’t a conscious effort to foster cultural awareness.
For local companies and foreign corporations operating here, it’s imperative to understand that celebrating diversity isn’t just a moral obligation—it’s good business.
Respecting cultural sensitivities builds trust, enhances brand reputation, and demonstrates genuine commitment to the communities they serve.
Moving forward, companies should adopt a more thoughtful approach to their marketing and decor choices.
Recognizing and celebrating each festival in its appropriate time and manner sends a powerful message of inclusivity and respect.
Simple gestures like delaying Christmas decorations until after major festivals like Deepavali can make a significant difference.
Malaysia’s multicultural fabric is a source of pride and strength. Let’s encourage our corporations—both local and foreign—to be more perceptive, respectful, and culturally-aware. After all, true inclusivity is about celebrating everyone’s traditions, not overshadowing them.
Deepavali vibes in Penang’s Little India
(UPDATE)
The tendency of some Malaysians to wish all Indians a “Happy Deepavali” without recognizing its religious significance highlights a broader issue of cultural misunderstanding and superficial appreciation.
Deepavali, also known as Diwali, is primarily a Hindu religious festival celebrating spiritual victory, light over darkness, and the triumph of good over evil. While it has culturally-rich traditions that many Malaysians observe, its core is rooted in religious beliefs and rituals.
This phenomenon may stem from a desire to be inclusive or show respect in a multicultural society.
However, it can inadvertently lead to the oversimplification of complex religious festivals into mere cultural events. Similarly, many people extend Christmas greetings without fully understanding its religious origins, viewing it as a cultural holiday celebrated worldwide rather than a Christian religious observance.
The core issue lies in awareness and education. Recognizing the distinctions between religious and cultural celebrations fosters genuine understanding and respect. It encourages celebrating festivals in their true spiritual context rather than as generic holidays.
As Malaysia continues to embrace its diversity, promoting informed appreciation of each community’s traditions can strengthen social cohesion while respecting the unique religious identities that underpin these celebrations.
More than just sugar and spice — these colourful treats are a celebration of light, love, and victory! 🪔
Deepavali (or Diwali) marks the triumph of good over evil, light over darkness, and hope over despair. As lamps glow in homes, so do hearts — and yes, so do dessert tables!
From ladoo to halwa to coconut candy, every sweet tells a story of heritage, joy, and togetherness.
So go for it — take another bite. This festival is meant to be savoured!
A photo of the Assumption Church taken on a cloudy day . Transformed into an image on canvas with digitally-generated cotton representing the clouds based on actual photographs (courtesy image: Leonard Selva Gurunathan)
Nestled within the UNESCO World Heritage core zone of George Town, Penang, the Church of the Assumption stands as a testament to the island’s rich history and cultural tapestry.
Established in 1787, this historic Roman Catholic church has long been a spiritual and community cornerstone, seamlessly blending tradition with modernity.
Among its treasured heritage is its magnificent pipe organ, fondly known as ‘The Old Lady’ – a majestic instrument that has echoed through generations, accompanying countless masses, religious ceremonies, and musical celebrations, and holds the distinction of being Malaysia’s oldest pipe organ.
Recently, a passionate pipe organist and music enthusiast – Leonard Selva Gurunathan – embarked on an innovative project to trace and showcase the church’s musical roots.
Leveraging the power of artificial intelligence (AI) and a suite of cutting-edge tech tools with good old-fashioned research, he has crafted a compelling video narrative that highlights the journey of the pipe organ and its profound role in the life of the church.
The project began with meticulous research into the church’s history, archives, and the evolution of its musical traditions.
A digital image of the Assumption pipe organ transformed into a diorama setting by Leonard Selva Gurunathan
“ The visual part of the video was done with the use of AI, “said Leonard, “while the rest of it was based on old-school research methods which included going through newspaper archives as I typed the information I needed into the prompts,” he added.
The audio component of the video is based on a live recording put together by Leonard.
“I curated the story,” he notes, “based on the duration of the music.”
To visualize the church’s and pipe organ’s rich history, Leonard employed AI-powered video editing and animation software. These tools transformed static images and archival footage into dynamic visuals, illustrating the organ’s physical changes, restorations, and its integration into the church’s liturgical life over the years.
The entire production has served as a testament to how technology can serve as a bridge—connecting heritage, faith, and innovation.
The resulting video not only celebrates the Church of the Assumption’s storied past, but also highlights the enduring significance of its pipe organ as an instrument of worship and cultural identity.
It underscores how the organ has witnessed generations of worshippers and has become an integral part of the church’s spiritual and community life.
This project exemplifies how modern tools can be harnessed to preserve, interpret, and share heritage in compelling ways. It also emphasizes the importance of safeguarding such cultural treasures within UNESCO’s protected zones, ensuring that future generations continue to appreciate the rich tapestry of history, faith, and music.
As the Church of the Assumption continues to serve its community within the vibrant streets of George Town, its story—enhanced by AI, technology and old-school research methods – reminds us that tradition and innovation can go hand in hand.
By blending historical preservation with modern storytelling, Leonard’s creative endeavour invites us all to reflect on the enduring power of music, faith, and heritage in shaping our collective identity.
The Jubilee Concert at the Church of the Assumption (courtesy image – Boon Tiong)
Two Saturdays ago, the Church of the Assumption in Penang became a living instrument for a concert that stitched tradition, youth, and reverent sound into one unforgettable evening.
The church was welcoming, with the soft rustle of pews, as Saint Xavier’s Institution Corps of Pipes and Drums took the “stage”, their drums beating in confident, marching heartbeats and the pipes lifting like clear, silver voices. The opening procession felt less like a performance and more like a rite of passage—bold, bright, and glinting with pride.
The choir followed with a range soars-high and whispers-soft, a bright thread weaving through the nave. Their blend was lush yet precise, each phrase carried by a spine of harmony that filled every corner of the church. It’s a rare gift to hear a room feel both intimate and exultant at once, and that night, the choir’s voices did that subtle magic, lifting without ever shouting. Choir master Claude Richards’ baton moved with equal parts discipline and warmth, drawing clean lines and then dissolving them into shimmering colour, as if pulling rainbows through the arched ceiling.
Assumption Church Choir with His Eminence Sebastian Cardinal Francis, Bishop of Penang (courtesy image – Boon Tiong)
Between addresses and pieces, the “Old Lady”—the heritage church’s pipe organ—held court with patient majesty.
Resident organist Leonard Selva Gurunathan and neighbouring St George’s Church pipe organist, Matthew Arwinraj, took turns to coax “conversations” which began with a whispered echo and blossomed into grand, cathedral-scale statements.
Pedals clicked like distant thunder, and the tonal palette—great, flute, principal—poured through the nave with a timber that felt both ancient and newly-minted for the moment. If the pipes are the church’s memory, the Old Lady spoke it aloud: a history lesson told in luminous chords, each note lingering in the vaults long after it was spoken.
The ripple of the Corps of Pipes and Drums kept the energy alive even as the choir’s velvet harmonies settled the room into hushes of awe. When the final chord faded, the silence stretched, a shared breath between performers and listeners, before breaking into sustained applause that seemed to say, “Thank you for listening as deeply as you were listened to.”
Leaving the church, the night felt lighter, as if the walls themselves still hummed with the collaboration of youth, faith, and music. It was more than a concert; it was a celebration of community, tradition, and sound that lingers in the heart long after the bells have faded.
Choir master Claude Richards (extreme right, in white shirt) with his members and other concert performers (courtesy image – Boon Tiong)
As the sun dips below the horizon and the vibrant hues of twilight envelop Penang, the Kek Lok Si Temple transforms into a mesmerizing spectacle, particularly on the eve of the Lunar New Year. This iconic Buddhist site, nestled atop a hill, becomes a beacon of hope and gratitude, drawing not only our Buddhist sisters and brothers but also Malaysians from all walks of life and visitors from around the globe.
The atmosphere is electric with anticipation as families and friends ascend the temple grounds, each step a journey of devotion—giving thanks for the past year and seeking blessings for the one to come. The air is filled with the soft sounds of prayers, the rustle of red envelopes, and the gentle whispers of wishes that float like the incense smoke rising to the heavens.
Family and friends make their way to the grounds of the Kek Lok Si Temple
What makes this gathering even more heartwarming is the sight of diverse communities coming together.
Malaysians (and tourists) of various races and faiths joined in unison, united by a shared appreciation for the stunning beauty of the temple, which glowed with thousands of LED lights. The sight was nothing short of breathtaking—a harmonious blend of spirituality and artistry that captivates the senses and inspires the soul.
Among the highlights of the Kek Lok Si Temple at Air Itam on Penang island, are its intricate pagodas and the towering statue of the Goddess Kuan Yin, which stands as a reminder of compassion, unity, and love.
The Goddess Kuan Yin smiles down on all visitors against the backdrop of a fireworks display
As visitors pause to admire the architectural wonders and intricate details, they are also reminded of the values that bind us all together, transcending differences in belief and background. It’s a beautiful testament to the spirit of Malaysia—a melting pot of cultures, where respect and appreciation for one another flourish.
Lensman Mikail Ong had the unique opportunity to capture this enchanting scene on assignment, and he has generously shared his stunning photographs with us.
His lens reveals the magic of the moment—each shot telling a story of joy, reverence, and the shared human experience. Aud and I, as his sisters in the media, can only dream of capturing such beauty; Mikail’s work encapsulates the essence of what makes Kek Lok Si Temple on Lunar New Year’s Eve a sight to behold.
A Lunar New Year icon … the Kek Lok Si Temple
As you scroll through the images in this post, let each photograph transport you to that hilltop sanctuary, where the glow of lights and the warmth of community create an unforgettable tapestry of life and celebration.
Whether you are a seasoned photographer or simply someone who enjoys the beauty of the world, visiting Kek Lok Si Temple during this festive season is truly a treat for shutterbugs and a heartwarming reminder of the bonds that tie us all together.
May the blessings of the new year fill your hearts with joy, compassion, and unity, just as they do at the Kek Lok Si Temple. Happy Lunar New Year!
This holiday season, my heart is full of nostalgia as two amazing aunties whipped up delicious muruku today.
These crunchy, spiraled snacks made from rice flour and lentil flour, flavoured with spices like cumin and sesame seeds, have brought back the warmth of Christmases past.
As they expertly twisted and fried each batch this afternoon, I was reminded that they were not just creating treats; they’re preserving a cherished heritage.
Let’s celebrate the beauty of tradition and the flavours that connect us to our roots!
Nestled along the picturesque coastline of Penang, the Eastern and Oriental Hotel (E&O) is a treasure trove of history and charm. As you wander through its hallowed halls, you’ll uncover a wealth of unique features that pay homage to Penang & Malaysia’s rich heritage.
A courtesy map in every room is a good reference and here are some highlights:
The E & O Map
E & O Gallery
One of the highlights of your visit should undoubtedly be the E & O Gallery, where the exquisite handsewn wedding dress of Patsy Addington is proudly displayed. This stunning piece is not just a garment; it’s a testament to love and craftsmanship that resonates with the stories held within the hotel’s walls.
Waygood-Otis Lift
Step into the historic Waygood-Otis lift, a marvel of engineering from the 1920s. This charming lift whisks you between floors while evoking a sense of nostalgia, reminding you of the elegance of a bygone era.
19th Century Cannon
Don’t miss the iconic 19th-century cannon that stands sentinel, pointing out towards the Andaman Sea. This relic of the past serves as a reminder of the hotel’s storied history and the strategic importance of Penang in maritime trade.
Echo Dome
Finally, immerse yourself in the enchanting acoustics of the Echo Dome, an architectural wonder that virtually broadcasts sound throughout the lobby. Gather with friends and family, (especially during this 🎄holiday season 🎄) and experience the beautiful interplay of sound and space that defines this unique feature.
The hotel’s iconic Echo Dome
At the E & O Hotel, every corner whispers tales of grandeur and history, inviting you to create your own memories in this timeless setting. Whether you’re enjoying a leisurely afternoon tea or exploring this heritage hotel’s rich past, your stay promises to be an unforgettable experience.
On her 117th birthday on Sept 3, 2016, Google honoured Malaysian freedom fighter Sybil Medan Kathigasu with a dedicated doodle.
A doodle by Google to honour Sybil Medan Kathigasu
She is shown in her nurse’s uniform outside her former residence in Papan, Perak.
The patterned ribbon of the George Medal surrounds the doodle, a tribute to Kathigasu’s courageous contributions to the anti-occupation movement.
“On the 117th anniversary of Kathigasu’s birth,” Google said, “we remember and celebrate her tireless dedication to freedom.
“Thank you, Kathigasu, for your courage and the powerful legacy you’ve left behind.”
While we know that Sybil Kathigasu’s “war story” speaks of how her acts of courage during World War II had devastating consequences, not much is said of what her family had gone through.
History tells us she was married to Dr Abdon Clement Kathigasu at St John’s Cathedral in Kuala Lumpur and they had three children, a son (William whom they had adopted) and two daughters, Dawn and Olga.
After her parents had been arrested for resistance activities in 1943, Dawn was suspended over a fire and threatened with death unless her mother Sybil, who had already been tortured in vain, gave information about the guerillas.
The six year old, enduring her pain, implored her mother not to talk and was saved only by the intervention of a senior Japanese officer.
She later went to Britain to study medicine and is believed to have married and settled there.
A heart warming memory of Olga is relayed here by Deacon Dr Leslie Petrus.
Rev Deacon Dr Leslie Petrus (image from the Malacca Johore Diocese website)
“I first met Sybil’s eldest daughter Olga in 1971 when she moved into the house next to Matron Irene Stephens,” he recalls.
Stephens, Dr Petrus noted, was the matron-in-charge of women prisoners in Batu Gajah prison under the Japanese Government and Sybil was under her supervision.
“Matron Stephens, our close family friend, had retired from the Prisons Department in the mid- 60’s,” he added.
The deacon recalls Olga as “the lady in black.”
“She always wore a black dress with black shoes and a black veil and carried a black bag.
“She kept to herself and never talked to anyone or even smiled. I did not understand then, her unique character but I do now.”
His up close and personal experience with Olga was in 1972 when Queen Elizabeth, Prince Philip, and Princess Anne were on a royal visit to Malaysia and made a stopover at Penang.
“My mother,” he remembers,” decided to go and invited Matron Stephens and Olga to follow us.
“In a cramped Opel Record car, we were in Penang the whole day, and stood for few hours at Dewan Sri Pinang just to see them at the balcony.
“As we waved our handkerchiefs, she had a Union Jack flag, and wore a hat with the flag on it. I can still remember the first and only smile on her face. I sensed then she was proud of her mother as she carried the picture of her mum with the medal of George V for highest bravery. “
Later, that day, Dr Petruse said, Olga had wanted to see the Royal Brittania and he had to follow her into a small sampan boat, at the fishermen’s jetty, where Olga paid a premium price to a local fisherman for the ride.
“I could see her looking so intently and so connected. Even now, I can still remember how she never took her eyes off the ship, probably feeling grateful that her mother and her father were special people.
“As I recall that one day trip to Penang with her, (I was 13 years old then), I then knew why she always wore black.
“She had lost her father early 1972. With all that she had experienced since her childhood, she had kept the faith.
That day trip to Penang with Olga was described as a “blessing” by Dr Petruse.
“She was in deep pain and sadness. But she never showed it. Her silence each time I saw her spoke volumes of God’s grace and love.”
In her memoir `No Dram of Mercy’, Kathigasu or Mrs K as she was affectionately known to the people of Ipoh and Papan, Perak before and during World War II, tells a story of courage, compassion, defiance and faith.
As she offers a harrowing firsthand account of the Japanese occupation of Malaya during the war, she takes her readers into the chaos of the invasion and how her peaceful life as a nurse, wife, mother and daughter was disrupted.
This was a form of disruption which appeared to transcend just mere inconvenience; it becomes a brutal struggle for survival under oppressive Japanese rule.
As a nurse and a staunch supporter of the Malayan resistance against Japanese occupation, Kathigasu’s life is a powerful narrative of sacrifice, courage, and commitment to humanitarian principles.
The push for her beatification within the Catholic Church highlights her exemplary virtues and profound moral integrity, confirming her legacy as a beacon of hope in times of darkness.
“Her faith in God as a Catholic and a disciple of Christ is the primary orientation the Diocese of Penang is pursuing,” its bishop Cardinal Sebastian Francis said in an interview.
Cardinal Sebastian Francis with Sybil Kathigasu’s memoir ‘No Dram of Mercy’ (picture by Boon Tiong)
“Our focus is on her perseverance and fidelity to her profession as a nurse to the Florence Nightingale Pledge,” he added.
The pledge which is named in honour of the founder of modern nursing – Florence Nightingale – states:
“I solemnly pledge myself before God, and in the presence of this assembly, to pass my life in purity and to practise my profession faithfully.”
Cardinal Sebastian also said that the diocese will focus on Kathigasu’s courage and valour, to undergo persecution and suffering in her career as a nurse, and being honoured with the George Medal for bravery in 1947.
(She is the only Malayan woman ever to be awarded the George Medal. The George Medal (GM), instituted on 24 September 1940 by King George VI, is a decoration of the United Kingdom and Commonwealth, awarded for gallantry, typically by civilians, or in circumstances where military honours are not appropriate.)
Kathigasu died in 1948 and was buried at the cemetery in the Church of St. Michael in Ipoh, Perak.
Sybil Kathigasu’s final resting place in the grounds of St Michael’s Church, Ipoh (picture by Daniel Roy Santiyagu)
The Cardinal is also appealing to those with any information, photographs or any research on Sybil to forward these to Daniel Roy Santiyagu who is the head for social communication for the Diocese of Penang at: socialcomm@pgdiocese.org
Born in 1910 in Ipoh, Perak, Sybil Kathigasu was a trained nurse who, along with her husband, played a crucial role in providing medical care to resistance fighters during the Japanese occupation of Malaya from 1942 to 1945. Kathigasu’s work with the underground organization, known as the “Malayan People’s Anti-Japanese Army,” exemplified her courage as she operated in tremendous danger, often risking her life and those of her family for the greater good.
During the war, she not only offered essential medical assistance but also acted as a source of intelligence. Her contributions were instrumental in the efforts to undermine the occupying forces. Her actions reflect a selfless devotion to her fellow countrymen and a passionate commitment to justice, making her a symbol of resistance against tyranny.
The Diocese of Penang has officially opened the cause of beatification and canonization for Kathigasu, whom Sebastian said continues to inspire people even 76 years after her death.
“I see this as an opportunity to bring together and reflect on her life for us as people of faith,” said the cardinal.
While she was born in Medan, Indonesia, the story of this daughter of Malaysia unfolds in cities and towns in Perak like Papan (where she and her husband Dr Abdon Clement ran a clinic), Batu Gajah (where she was incarcerated) and the her final resting place, which is the cemetery in the grounds of St Michael’s Church in Ipoh.
“Groups are already visiting these places,” notes the cardinal, “including the Church of St Joseph in Batu Gajah, where one of its wings is dedicated to Sybil’s memory.”
Upon her release from prison, Kathigasu’s request was to be taken to St Joseph’s Church immediately to offer her thanksgiving.
Asked on what could be a potentially high cost to pursue her beatification, the cardinal said:
“We will cross that bridge when we get there. We do not start by talking about money.”
In questioning the choice of Kathigasu by some parties for impending sainthood, Cardinal Sebastian said the process itself, with its appointed moderator will question this and other concerns.
“It is normal to expect people to question her suitability (for beatification),” he added.
Cardinal Sebastian Francis, Bishop of Penang (picture by Boon Tiong)
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