Category Archives: Media

In Service Through Song: Why Parish Choirs Matter

(AI-generated image)

Every Sunday and on feast days, before the first hymn is sung and before the congregation gathers in prayer, a group of volunteers has already been at work.
Choir members arrive early to prepare music, arrange instruments, test microphones and pray together.
They are our parish choirs — one of the Church’s most visible and valuable ministries.


To many, the choir is simply the group that sings at Mass. In reality, it plays an essential role in supporting the sacred liturgy and helping the faithful lift their hearts and voices to God.


Most parish choirs are composed entirely of volunteers — teachers, parents, students, retirees and professionals who generously offer their time and talents. They attend practises after long workdays, prepare diligently for liturgical celebrations and often make personal sacrifices so that the Mass may be prayerful and uplifting. They seek neither recognition nor reward. They serve because they understand that sacred music is itself a form of prayer.


The Second Vatican Council described sacred music as a “treasure of inestimable value” and affirmed its integral place in the liturgy. Throughout the Church’s history, music has occupied a special place because it speaks to both mind and heart. A hymn can comfort the grieving, strengthen the weary and deepen the faith of those gathered for worship.

Choirs therefore provide far more than melodies and harmonies. Through their ministry, they help the faithful participate more fully in the mystery of God’s presence.

Like every ministry in the Church, choir members sometimes face challenges and misunderstandings. Yet their desire is simple: to serve God and His people through the gift of music. Their dedication deserves understanding, encouragement and gratitude.


Before the altar, all stand equally in need of God’s grace and all are equally beloved by Him. Every ministry, whether visible or hidden, contributes to the life and mission of the Church.

Beautiful liturgical music does not happen by accident. It requires preparation, punctuality, cooperation and perseverance. Such commitment deserves support.


Parish leadership likewise has a responsibility to nurture the many ministries that enrich the Church’s life.

Leaders need not be musicians to appreciate the value of sacred music. What is required is the recognition that choirs perform an important pastoral role.
They help people pray.
They encourage active participation.
They accompany moments of great joy and profound sorrow.
They transmit the faith through song and often become places where friendships are formed and vocations nurtured.


A thriving choir is often one of the clearest signs of a vibrant parish community.


Parishes naturally face many demands and difficult decisions, and resources are never unlimited. Yet priorities should always be guided by mission.


Since the liturgy stands at the heart of Catholic life, ministries that help people pray deserve thoughtful support and encouragement.

Perhaps one of the greatest lessons choirs teach us is the beauty of harmony. Sopranos, altos, tenors and basses each sing different parts, yet beautiful music emerges only when every voice respects the others and contributes to a common purpose.


The Church herself is meant to function in the same way.

May we continue to value those who quietly sustain our music ministry, appreciate the countless hours offered by volunteers, and foster parish communities marked by gratitude, understanding and mutual respect.


For when parish choirs sing, they do far more than perform music.
They help us pray.
They draw us more deeply into the sacred mysteries.


And they remind us that every ministry, faithfully and humbly offered, exists for one purpose alone: to give glory to God.

(Church of the Assumption, Penang)

Our Lady of the Jubilee: Faith in Malaysian Culture


Our Lady of the Jubilee presents the Child Jesus to the world, inviting us to follow her words: “Do whatever He tells you.”
Clothed in Malaysian tradition, Mary and the Child Jesus reveal a faith that is both universal and deeply rooted in local culture

The statue of Our Lady of the Jubilee, designed by Rev Father Michael Cheah, beautifully reflects the harmony between Catholic faith and Malaysian culture. Commissioned for the Jubilee Year of 2000 in the Penang Diocese and first launched in 1999, this meaningful image continues to inspire the faithful today.

The Blessed Virgin Mary is depicted in a Baju Kebaya now widely recognised in Malaysia for its cultural and heritage significance, while the Child Jesus stands before her in a Baju Melayu. Together, they express how the local Church lives out its identity as truly Malaysian.

Mary is shown presenting Jesus to the world, echoing her call: “Do whatever He tells you” (John 2:5). Her kebaya is adorned with ten hibiscus flowers, symbolising the Ten Commandments and our call to love God and neighbour. The three kerongsang (broches) represent the Holy Trinity, while her white shawl signifies purity.

The Child Jesus holds a globe with a cross, reminding us that He is Lord over all and brings salvation through His sacrifice. His white attire represents holiness, and his sampin reflects faithfulness to the Father.

This meaningful image invites us to recognise Christ within our own culture and to live our faith with love, unity, and devotion.


The kebaya of Our Lady, adorned with hibiscus flowers—the national flower of Malaysia—symbolises our call to live the Ten Commandments in love and faith

Footnote:
The kebaya was inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity on 4 December 2024, through a joint nomination by Brunei, Indonesia, Malaysia, Singapore, and Thailand. Celebrated for its intricate embroidery and deep cultural significance across Southeast Asia, it is recognised as a shared heritage of the region rather than belonging to a single nation.

Pictured here is the late Kim Jane Sanders who made several Asian countries (including Malaysia) her home, and was fond of the Kebaya, Baju Kurong and other regional attire. She was a subject matter expert on textiles.

From Sacred Echoes to Digital Dreams

A photo of the Assumption Church taken on a cloudy day . Transformed into an image on canvas with digitally-generated cotton representing the clouds based on actual photographs (courtesy image: Leonard Selva Gurunathan)

Nestled within the UNESCO World Heritage core zone of George Town, Penang, the Church of the Assumption stands as a testament to the island’s rich history and cultural tapestry. 

Established in 1787, this historic Roman Catholic church has long been a spiritual and community cornerstone, seamlessly blending tradition with modernity. 

Among its treasured heritage is its magnificent pipe organ, fondly known as ‘The Old Lady’ – a majestic instrument that has echoed through generations, accompanying countless masses, religious ceremonies, and musical celebrations, and holds the distinction of being Malaysia’s oldest pipe organ.

Recently, a passionate pipe organist and music enthusiast – Leonard Selva Gurunathan – embarked on an innovative project to trace and showcase the church’s musical roots. 

Leveraging the power of artificial intelligence (AI) and a suite of cutting-edge tech tools with good old-fashioned research, he has crafted a compelling video narrative that highlights the journey of the pipe organ and its profound role in the life of the church.

The project began with meticulous research into the church’s history, archives, and the evolution of its musical traditions. 

A digital image of the Assumption pipe organ transformed into a diorama setting by Leonard Selva Gurunathan

“ The visual part of the video was done with the use of AI, “said Leonard, “while the rest of it was based on old-school research methods which included going through newspaper archives as I typed the information I needed into the prompts,” he added. 

The audio component of the video is based on a live recording put together by Leonard. 

“I curated the story,” he notes, “based on the duration of the music.”

To visualize the church’s and pipe organ’s rich history, Leonard employed AI-powered video editing and animation software. These tools transformed static images and archival footage into dynamic visuals, illustrating the organ’s physical changes, restorations, and its integration into the church’s liturgical life over the years. 

The entire production has served as a testament to how technology can serve as a bridge—connecting heritage, faith, and innovation.

The resulting video not only celebrates the Church of the Assumption’s storied past, but also highlights the enduring significance of its pipe organ as an instrument of worship and cultural identity. 

It underscores how the organ has witnessed generations of worshippers and has become an integral part of the church’s spiritual and community life.

This project exemplifies how modern tools can be harnessed to preserve, interpret, and share heritage in compelling ways. It also emphasizes the importance of safeguarding such cultural treasures within UNESCO’s protected zones, ensuring that future generations continue to appreciate the rich tapestry of history, faith, and music.

As the Church of the Assumption continues to serve its community within the vibrant streets of George Town, its story—enhanced by AI, technology and old-school research methods – reminds us that tradition and innovation can go hand in hand. 

By blending historical preservation with modern storytelling, Leonard’s creative endeavour invites us all to reflect on the enduring power of music, faith, and heritage in shaping our collective identity.

The Assumption Church building photographed by Leonard Selva Gurunathan is transformed into a diorama using natural materials
Continue reading From Sacred Echoes to Digital Dreams

Echoes in the church – Pipes, Drums and the Old Lady

The Jubilee Concert at the Church of the Assumption (courtesy image – Boon Tiong)

Two Saturdays ago, the Church of the Assumption in Penang became a living instrument for a concert that stitched tradition, youth, and reverent sound into one unforgettable evening. 

The church was welcoming, with the soft rustle of pews, as Saint Xavier’s Institution Corps of Pipes and Drums took the “stage”, their drums beating in confident, marching heartbeats and the pipes lifting like clear, silver voices. The opening procession felt less like a performance and more like a rite of passage—bold, bright, and glinting with pride.

The choir followed with a range soars-high and whispers-soft, a bright thread weaving through the nave. Their blend was lush yet precise, each phrase carried by a spine of harmony that filled every corner of the church. It’s a rare gift to hear a room feel both intimate and exultant at once, and that night, the choir’s voices did that subtle magic, lifting without ever shouting. Choir master Claude Richards’ baton moved with equal parts discipline and warmth, drawing clean lines and then dissolving them into shimmering colour, as if pulling rainbows through the arched ceiling.

Assumption Church Choir with His Eminence Sebastian Cardinal Francis, Bishop of Penang (courtesy image – Boon Tiong)

Between addresses and pieces, the “Old Lady”—the heritage church’s pipe organ—held court with patient majesty.

Resident organist Leonard Selva Gurunathan and neighbouring St George’s Church pipe organist, Matthew Arwinraj, took turns to  coax “conversations” which began with a whispered echo and blossomed into grand, cathedral-scale statements.

Pedals clicked like distant thunder, and the tonal palette—great, flute, principal—poured through the nave with a timber that felt both ancient and newly-minted for the moment. If the pipes are the church’s memory, the Old Lady spoke it aloud: a history lesson told in luminous chords, each note lingering in the vaults long after it was spoken.

The ripple of the Corps of Pipes and Drums kept the energy alive even as the choir’s velvet harmonies settled the room into hushes of awe. When the final chord faded, the silence stretched, a shared breath between performers and listeners, before breaking into sustained applause that seemed to say, “Thank you for listening as deeply as you were listened to.”

Leaving the church, the night felt lighter, as if the walls themselves still hummed with the collaboration of youth, faith, and music. It was more than a concert; it was a celebration of community, tradition, and sound that lingers in the heart long after the bells have faded.

Choir master Claude Richards (extreme right, in white shirt) with his members and other concert performers (courtesy image – Boon Tiong)

Eulogy for Aunty Rose— A Life Filled with Love, Laughter, and Light

by Jojie Samuel

Ladies and gentlemen, family, and friends,

Today, we gather with heavy hearts to celebrate the life of our beloved Aunty Rose. While her passing leaves an emptiness that words cannot fill, I know she would want us to remember her with smiles, laughter, and maybe even a little dancing — because that was who she was.

Aunty Rose was a woman who lived life fully and joyfully. She was jovial, lovable, kind, and generous — always ready to lend a helping hand, to listen, and to care. She had a way of making everyone around her feel special, valued, and loved. You could never walk away from a conversation with her without feeling a little lighter, a little happier.

And oh, how she loved to dance and sing. If music was playing — and sometimes even when it wasn’t — she would be up, moving to the rhythm, pulling others in to join her. She was not one to sit quietly and complain. No, she would say, “Why mope when you can dance it off?”

Her cheerfulness was contagious, her laughter filled every room she entered, and her advice — which she always had ready — was a mix of wisdom, love, and a little bit of playful sarcasm. She had a wonderful way of telling you what you needed to hear, whether you were ready to hear it or not — and somehow, you would still end up laughing about it.

Aunty Rose was also generous to a fault — not just with things, but with her time, her energy, and her love. She would give you her last piece of cake, though she might joke, “Maybe just half, let’s not be too dramatic.”

Today, as we say goodbye, let us remember the lessons she taught us without ever needing to speak them — to love deeply, to laugh often, to dance whenever you can, and to face life’s challenges with courage and a smile.

Though she may no longer be with us in person, her spirit — her laughter, her kindness, her songs — will live on in each of us. I like to think she’s somewhere now, already turning heaven into her dance floor, reminding the angels to sing a little louder.

Rest in peace, dear Aunty Rose. Thank you for the love, the laughter, and the unforgettable joy you brought into all our lives. You will never be forgotten.

(15/3/2025 – Cheras, Malaysia)

Vale, Rose Paul

49 years of Compassionate Care: Mount Miriam Cancer Hospital

As Mount Miriam Cancer Hospital in Penang marks its 49th anniversary, it stands as a beacon of hope and healing for cancer patients both local and from abroad. 

Founded in 1976, this non-profit hospital has dedicated itself to providing comprehensive cancer care, driven by a mission to treat not just the disease but the person behind it.

Mount Miriam Cancer Hospital was born out of a vision to create a supportive environment for cancer patients.

The hospital shares the global mission of the Franciscan Missionaries of Divine Motherhood order, to provide high quality and compassionate care to all

Over the decades, it has evolved from a small establishment into a renowned cancer treatment center. The hospital’s commitment to holistic care is reflected in its multidisciplinary approach, integrating medical treatment with psychological support and palliative care.

The hospital’s ethos is rooted in compassion, with a team of dedicated healthcare professionals who go above and beyond to ensure that patients receive personalized care. From oncologists and nurses to counselors and nutritionists, every member of the staff is committed to making the cancer journey as comfortable and supportive as possible.

His Eminence Sebastian Cardinal Francis presided over a mass today at the hospital’s chapel

One of the hallmarks of Mount Miriam Cancer Hospital is its ability to cater to a diverse patient population. The hospital serves not only the local community in Penang but also welcomes international patients seeking cutting-edge cancer treatments. 

As Mount Miriam Cancer Hospital steps towards half a century, it continues to embrace innovation in cancer treatment. The hospital regularly updates its protocols and technologies to include the latest advancements in oncology. 

The hospital’s chief executive officer Deacon Paul Kang

The landmark anniversary celebration  this year, is not merely a reflection of the hospital’s achievements but also a reminder of its commitment to the community. Mount Miriam actively engages with local organizations and volunteers to raise awareness about cancer and provide support to those affected by the disease. Fundraising events, support groups, and educational seminars are just a few of the initiatives that foster a sense of community and support for patients and their families.

In a world where the fight against cancer can often feel daunting, Mount Miriam Cancer Hospital stands as a testament to the power of compassion, community, and care. 

Here’s to 49 years of making a difference and to many more years of hope and healing!

(All images courtesy of Boon Tiong)

Fay & Food

My first “sighting” of this lovely and funny soul was at The Star Penang newsroom in 1993, when I joined as a reporter and she was the paper’s freelance writer/stringer.

Once she got behind the computer she would remain focussed and quiet as she went about putting together her famous food reviews.

The sub-editors usually found themselves needing to consult the dictionary when clearing her copies (Aiyo Fay, why are you using such big words, you think our readers can understand, meh? was usually conveyed to Fay by Anna Cheah our then chief sub-editor) Fay would simply smile and give some funny retort and everyone would laugh.

Her love for food was legendary. Some of us would join her for quick hawker meals close to the office when she stepped in to meet her deadlines. As most people know, this foodie was just as adept in appreciating fine food and made no bones when any dish did not meet her exacting standards.

When she moved on to other interests, especially in publishing, I used to pick up her nifty card sets with watercolour images of all things Malaysiana and even tried her ‘Miss Khoo’s Asian Deli’ gourmet products at the time, as I heard they had found their way to the shelves of Harvey Nichols in the United Kingdom.

The writer, TV and radio host, publisher, lover of all things nautical and much-loved daughter, always had a kind word for everyone and we missed her laughter and teasing when she left The Star to pursue other projects and adventures.

It was shocking and painful to many of us to hear that Fay, who was then 48, had left us after a brief illness in April, 2017.

Bettina Chua Abdullah and I had a mutual friend in Fay and our stories and friendship with this fun-loving soul are different and yet, the same. Fay shared different friendships with different people and made her mark which can never be erased.

Which now brings us to the third edition of the Fay Khoo Award for Food and Drink Writing which Bettina organised and has been directing to honour Fay’s legacy.

The call for entries has been made and details found below. The 2019 winners will be announced at this year’s George Town Literary Festival which takes place in Penang from Nov 21-24 (please mark your calendars)

Thank you Bettina, for your dedication in keeping Fay’s memory and our friendships alive!

(In addition to written narrative entries for the award, comics and graphic stories are also open to authors and illustrators wishing to submit illustrated narratives)

CALL FOR ENTRIES 2019

The aim of The Fay Khoo Award for Food+Drink Writing is to recognise new and talented voices, and to encourage and develop excellence in food and drink narratives. We believe that there is a space and a need for well-researched and impactful food journalism, because it is through such writing that we can shine a light on people, culture, health, economics and the environment of culinary delight.

This year we hope to present awards to the three best entries, regardless of category. Please read the conditions of entry and submission guidelines carefully, as these have changed from previous years.

The CONDITIONS OF ENTRY are as follows:

• All writing must fall into the categories of personal narrative, reportage or creative non-fiction.

• Entries should not exceed 2000 words.

• Entries must be submitted in English, and must be the sole work of the entrant.

• Entries must never have been published, self-published, broadcast or uploaded on any

website, blog or online forum.

• Anyone over the age of 16 years at the time of the closing date, who is a citizen or resident

of ASEAN countries, may submit up to three (3) entries.

• A fee of RM 20 per submission will be levied to cover administrative costs.

Processing of fees is made by Hikayat Lebuh Pantai, which manages The Fay Khoo Award, upon submission of entry/entries.

Bank details are as follows:

Maybank | Hikayat Lebuh Pantai Sdn Bhd | 557018565194

Please reference your payment with FKA and your WhatsApp number: eg FKA 012-345-6789

If you do not have a mobile phone, please use a landline number.

SUBMISSION GUIDELINES

• Entries must be saved in Microsoft Word format, and emailed to

thefaykhooaward@hikayat.asia

• Entries need to be double-spaced and the word-count noted at top of the first page.

• Entries must include a WhatsApp or landline number, so that you can be sent a confirmation

that your entry has been received, and we can link submission fees to your entry.

• To protect the integrity of the judging process, entries must not include your name or email address. We will contact you via the WhatsApp or landline number you have provided, for your name and other necessary information.

• Amendments or revised versions will not be accepted.

• Entries will be accepted from July 15, 2019 and must be received by September 15, 2019.

• A fee of RM 20 per submission will be levied to cover administrative costs.

• Entrants who have not turned 18 by November 1, 2019 must provide a parent/legal guardian’s name and contact details.

NOTES ON JUDGING

• There will be three (3) judges for the Fay Khoo Award. The judges’ decision is final.

• The judges will not comment on individual entries.

• The Fay Khoo Award reserves the right to change the panel of judges without notice.

• A Longlist of up to 15 entries will be announced by October 10, 2019, and writers notified by WhatsApp and email.

• A Shortlist of 6 entries will be announced by October 28, 2019, and writers notified by

WhatsApp and email.

PRIZE-GIVING

• The winning entries will be announced at the George Town Literary Festival between

November 21-24, 2019. Accommodation will be provided for the day of the prize-giving.

INTELLECTUAL PROPERTY

• Worldwide copyright of each entry remains with the author, but by virtue of submitting an entry, participants are assigning unrestricted right to publish the winning entry, shortlisted entries and long-listed entries in any format. This right is granted to the managers of The Fay Khoo Award, Hikayat Lebuh Pantai Sdn Bhd and its associates in perpetuity, upon submission of the entry for consideration.

• The Fay Khoo Award will retain fully all income generated by publication of the winning entries, shortlisted entries and long-listed entries, while the author will retain all income generated by their publication separate to this.

• In cases where the author of a winning, shortlisted or longlisted entry independently publishes said submission, the author will mention that the piece was a winner or shortlisted or longlisted entry in The Fay Khoo Award for Food+Drink Writing.

PRIZES:

• Each of the three winners receives a cash award of MYR1500, and a book voucher for MYR500

• Shortlisted entries may also receive other supplementary prizes, at the discretion of the organisers.

AMENDMENTS:

• The organisers of the Fay Khoo Award reserve the right to amend these conditions of entry

if deemed necessary. Any changes will be posted on the award’s Facebook page.

• For further information, please email thefaykhooaward@hikayat.asia

(Images courtesy from the FKAward Facebook and Fay’s)

Thank you for the music, Mo 🎶

Maureen Christine Jeremiah

As we reflect on our journey together, we are filled with gratitude for the incredible gift of music that Maureen has shared with us over the years. Her dedication as our choir mistress before, not only enriched our liturgical experiences at masses, ordinations, both priestly (or sacerdotal) and diaconal, but also fostered a sense of community and joy among us.

We will always remember her signature phrase, “Jazz it up, Leonard!”— to our pipe organ sifu, which served as a joyful reminder to embrace creativity and spontaneity. Her ability to uplift our spirits and encourage us to strive for excellence was memorable.

Maureen was a warm soul with her infectious smile, laughter and welcoming spirit which brightened the lives of all who knew her. She had a remarkable ability to make everyone feel seen and valued, offering words of encouragement and support to those in need.

A true adventurer at heart, Maureen lived her life with a sense of wonder and curiosity. Whether exploring new places, trying new things or food, or simply enjoying the beauty of everyday moments, she embraced life with open arms and an open heart.

Vale, dear Maureen. You have earned your rest, and your spirit will live on in our parish of the Church of the Immaculate Conception, Penang.

Thank you for everything.

P.S from the Facebook post of my friend Simon …

4th February is World Cancer Day. As the world unites in the fight against cancer, I invite you to open your hearts to those in need. At Mount Miriam Cancer Hospital, we believe that no one should be denied treatment due to financial constraints.
Last year, with the generosity of donors like you, we disbursed over RM3 million to support cancer patients who were struggling to afford life-saving treatments. This year, we humbly seek your kindness once again. Your donation, big or small, makes a real difference in bringing hope, healing and dignity to our patients. Together, we can ease the burden of cancer and bring light into the lives of those fighting this battle.

To contribute, please make your donation to:
Bank Name: OCBC Bank (Malaysia) Berhad
Account Name: Mount Miriam Cancer Hospital TKPKMM
Account Number: 7301297883
Every contribution is a lifeline. Thank you for your generosity and compassionate heart!

WorldCancerDay #MountMiriamCancerHospital #TogetherWeCan

@followers @highlight

A Journey of Hope: Rediscovering the True Meaning of Christmas

As the holiday season approaches, we often find ourselves caught up in the hustle and bustle of shopping, parties, and decorations. However, a powerful new video reminds us of the essence of Christmas—a journey filled with hope, love, and a commitment to uplifting the marginalized.

This heartwarming video takes viewers on a journey through various communities, showcasing the struggles faced by those often overlooked during this festive season. 

It beautifully captures the spirit of compassion that lies at the heart of Christmas.

This Christmas, let’s embrace the call to action presented in the video. We can all play a role in spreading hope and joy, whether through volunteering, donating, or simply showing kindness to those we encounter. 

As we celebrate, let’s carry forward the message that the spirit of Christmas shines brightest when we look out for one another, especially those on the margins of society.

Join Caritas Malaysia in this journey of hope and rediscover the true meaning of Christmas. 

From the Manger to the Margins – A Christmas Journey of Hope by Caritas Malaysia

Remembering Kim

Kim, a vibrant and colourful soul whose love for fabric and textiles was matched by her passion for travel and devotion to music, has left us after an illness. 

Kim at one of her favourite travel destinations (Bali) this year (photo by Tess tweaked by Boon Tiong)

Her creative spirit shone brightly through her work with textiles which saw the production of a book. 

The book authored by Kim

An avid traveler, Kim, embarked on countless adventures, exploring new cultures and gathering inspiration for her work, as she set up homes with her late husband Michael Saunders, in various Asian cities. She cherished every journey, finding joy in discovering new places, meeting new friends, and experiencing the beauty of the world.

Her devotion and love for dogs is legendary and she will be remembered for always being the first to lend a hand and donation to those in need.

Kim’s love for music, particularly choral singing, enriched her life and the lives of those around her. 

Whether performing in local choirs or sharing her love of music for God in church, her voice resonated always with passion and joy. She found solace and connection through song and hymns, and her spirit will undoubtedly echo in the hearts of those who sang alongside her.

Kim sang in the Church of the Immaculate Conception, Penang’s choir

Now, Kim is reunited with her beloved Michael, and together they continue their journey in the beyond. May their love inspire us to embrace our passions and cherish every moment. 

Rest in peace, Kim. Your legacy of love, service and inspiration will be etched in all our hearts.

#kimjanesaunders

#requiescatinpace

#vale